Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

About Us
email

90,680 paintings total now
Toll Free: 1-877-240-4507

  
  

Sandro Botticelli.org, welcome & enjoy!
Sandro Botticelli.org
 

unknow artist
nordkap i mansken

ID: 59862

unknow artist nordkap i mansken
Go Back!



unknow artist nordkap i mansken


Go Back!


 

unknow artist

  Related Paintings of unknow artist :. | That valijakt - scene of Louis tbe Breton,en sjoman - artist as after all 1866,praglas by an sallsynt exactitude and observationsformaga | Cocks 124 | Turkish Slave,Parmigianino | Had ses Marco Polo kopa in pepar in Pepparlandet,det fuktiga,heta omradet beyond Malabarkusten in vastra India | Nouveau Theatre de la Grande Bretagne |
Related Artists:
Emmanuel Herman Joseph Wallet
painted Fredegonde distribuant des poignards a deux assassins in 19th century
Antonio Ponce
Spanish, 1608-1662,Spanish painter. He had an undistinguished career in Madrid as a painter of still-lifes and flower-pieces. In 1624 Ponce was apprenticed to Juan van der Hamen y Leen, whose niece he married in 1628. The format of Ponce's compositions and some of his motifs derive from works by van der Hamen, though lacking their subtlety of composition, spatial clarity and formal conviction. In Vase of Flowers, signed and dated 1650 (Strasbourg, Mus. B.-A.), Ponce's style shows laboured imitation of van der Hamen's: his dry execution results in a paradoxically airless and petrified quality. Ponce was always a derivative artist, and some of his still-lifes with seasonal themes are similar to works by Francisco de Barrera, another modest painter with whom he was documented in the 1630s. Paintings from the 1640s and 1650s depicting baskets of fruit and bunches of grapes against light backgrounds are characterized by compositional informality, softer lighting and freer brushwork, through which Ponce attempted to convey the textures of objects and endow the subject with greater naturalness.
William Wendt
1865-1946 Wendt believed there are philosophical, metaphysical, and theological foundations as to why humankind creates Art. Art becomes a sign in itself that points ultimately towards higher realities than the art object or process manifests in and through itself, courtesy of the artist's knowledge and free-will. Art is an adoration symbol that links the reality of the artist's vision and dream-state to the principles that are nature. Wendt decades in front of nature. William Wendt found a California at the close of the 19th century which is now lost forever due to the effects of industrialism, consumerism and population density. Wendt believed nature was a manifestation of God, and he viewed himself as nature's faithful interpreter. Thom Gianetto of Edenhurst Gallery, Los Angeles, is a specialist in William Wendt.






Sandro Botticelli
All the Sandro Botticelli's Oil Paintings




Supported by oil paintings and picture frames 



Copyright Reserved